cricketmuse

a writer's journey as a reader

Archive for the tag “education”

A Ponderance of Quarterly End


This post is devoted to teachers who are nearing first quarter completion:

As we madly try to stuff in more knowledge into the unwilling minds of students, it’s important to pause and reflect on what education is all about. If only I could get my students to realize these astute observations:

  • Poetry is not useless–do they not realize all that music cascading into their brain is poetry?
  • Spulling mahters–just ask the person hiring from what job applications reveal
  • The classroom is not an extension of the cafeteria–socializing and eating in class may seem like a good idea–but really? Nope.
  • Bringing a charged laptop, the right folder, pen, paper, textbook actually does help in the learning process.
  • I do see everything. Texting, writing notes, whispering, sleeping.
  • Turning in something is better than nothing. Half points on a late assignment beats out a zero.
  • I believe they can do better. And I will keep after them until they believe the same.

UPDATE: I did survive quarter one grading rush and I’m gearing up for the second night of parent teacher conferences. Onward to second quarter, which means first semester closing to open up second semester which means countdown to summer.

Have I mentioned how difficult it’s been teaching while recovering  from a broken wrist?

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PADding About with Poetry


Teaching poetry to a class of teens is almost intimidating as being the student learning the language of metaphors and similes and alliteration and such.

For one thing there is the DWA

factor–Dead White Authors.

Occasionally I detect a certain resentment of having to study the antiquated language and suspect ideas of people who lived in times current adolescents have a difficult time relating to, especially when many of these authors were among the 1% of their day. Understanding that religion revolved around one belief and not a myriad seems wrong to some of many students.

Getting students to remove their 21st century hats in order to not be hindered by Frost using “queer” when describing how the speaker’s horse thinks it’s strange to stop in the middle of the woods is a little challenging but not insurmountable.

Another challenge is getting students to embrace poetry as a necessity. Actually, for that concern I have a ready reply:

If you can figure the meaning of a poem and explain it in such a way it is comprehensible to others, you will no doubt succeed in other endeavors in life, such as presenting a new scientific concept to your co-workers or even putting together that bike in a box for your kid some day.

I do sympathize with my students about the saturation of 18th and 19th century poems we tend to study, especially in AP Literature. This is why I subscribe to services that provide a poem everyday. It’s like those word a day subscriptions except more words and they sometimes rhyme.

Over the past few years I have amassed quite a collection. Now what? Aha! I pulled together a monthly menu and created a PPT what I call the PAD–Poem A Day. While I take attendance, students read the poem on the projector screen and then discuss some aspect. Most of these poems are contemporary and the topics, as well as formats, tend to be more relatable for my students.

The other day we covered Robert Bly’s moon poem. I then had students find three objects in the room and describe them in a new way. The best one involved calling our box fan a meditation counselor since it had the ability to provide a cooling off whenever we were heated up. Nice.

I remember Robert Frost and his puzzled horse in fifth grade and I have taught it to my tenth graders and seniors. I’m hoping once we have chatted about meaning and metaphor they will think poetry is lovely as they move through life. My hope is they’ll carry a verse in their pocket or be able to pop out a ready line to fit any occasion.

Shakespeare Goals


Although I’m known as a Bardinator, I confess I’m a bit of a poser in actuality.

I  truly know a handful of his plays, primarily the ones I teach, the usual: Romeo and Juliet, Midsummer Night’s Dream, Julius Caesar, Othello, Taming of the Shrew, Hamlet. I do have a working knowledge of other plays: King Lear, Macbeth, Much Ado About Nothing , The Tempest, Merchant of Venice,Twelfth Night. And I have a nodding acquaintance with the Henrys and Richards. I tend to shudder and ignore the more violent plays where body parts and pies and such are a featured plot focus.

As for William’s sonnets–let’s just say while I’m not adverse to his verse, I prefer to revel in his plays.

So, my goal is to become more than a dabbler and get cracking at becoming better in my Bard. This will involve some serious study since Shakespeare is not for sissies. He provides stout meat and drink once at the table of literature feasting. I will *sigh* set aside some (not all) of my leisurely summer reading forays and bite off, rather than nibble, sizable portions of Shakespeare works.

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Here is a beginning goal list:

  • Select at least five-ten sonnets, mainly the ones we refer to in our current curriculum, and really study them beyond the quick note referring I usually do. Study what other critics have come up with in their analysis.
  • Move beyond my comfort zone and learn at least one play of William’s that I’m not familiar with. I’m still squeamish about reading about revenge pie, so perhaps I will look into a comedy not well known to me–maybe The Merry Wives of Windsor or As You Like It.

My basic Bard facts are decent: birth, death, family life, supposition of lost years. I even have Renaissance and Elizabethan knowledge down pretty well as it relates to Shakespeare. I could start committing more to memory and really dazzle the crowds.

Why take on Shakespeare this summer? I could just lounge and read for fun and drift and not work so hard. Didn’t I just get out of school?

One reason to push myself in this endeavor is that Shakespeare is so fascinating. I knew relatively nothing about him until I began teaching his works. For the past fifteen years I’ve learned so much more about the Bard and it makes me realize I have so much more to go. But, I’m in no real hurry.

Another reason is that if want to really become a Bardintor, not just pretend I know my Bard stuff. Please don’t expect me to spout off reams of memorized quotes and speeches. Memorizing, is unfortunately, a real problem. Short term gaps and all that.

One other reason is that I want to be THAT teacher, the one whose enthusiasm for Shakespeare overflowed into the curriculum and into the hearts and minds of my students. I still treasure that moment when one of my struggling students came up to me after class and said, “I will will studying Hamlet.” He got involved in our study of the melancholy Prince of Denmark, and that’s why I will learn more about Shakespeare.

Anyone out there desire a bit more Bard in your life?

A Few Words to the Wise


It’s not news that the American education system is not working well. I came across an article that made me stop and think about whether my own teaching techniques are contributing to the problem. My paradigm got a bit nudged. One thing I do agree with Hirsch is that vocabulary is an important aspect of student success. If you are interested in reading one man’s opinion about how to overhaul the education system I suggest you sit down with a cup of java or tea and take time to peruse and consider. It’s long, but chock full of thoughtful considerations:

E. D. HIRSCH, JR.
The key to increasing upward mobility is expanding vocabulary.

E. D. Hirsch, Jr. is a professor emeritus of education and humanities at the University of Virginia and the founder of the Core Knowledge Foundation and he is smart. The kind of smart that makes me feel a bit more brainer after reading most anything he writes. You might have heard  of these titles, and even if you haven’t you will want to reflect of this pithy quote:

  paperbackswap.com

amazon.com

A Post About Something I Remembered About Memory Loss…I Think


Memory loss. It’s really become apparent I’m losing it. Yes, I’m losing my memory. And I don’t consider myself that old–at least I don’t think I’m old enough to be losing it, at least not completely. It’s not like I had a huge memory reserve on hand. I am and have remained absolutely terrible at memorizing words. I gave up thoughts of trying the stage, because memorizing my lines prived akin to storing apple cider in a sieve. I have given up on dazzling people with my ability to quote Shakespearean sonnets and lines from Hamlet, because it’s not and has yet to happen. I’ve accepted that part of life. Yet, lately I’ve had times when I’m staring out the copy machine and for all the tea in China–make that all the chocolate in Willy Wonka’s factory–I can’t remember my code. Yeah, the one I’ve used practically everyday for the past five years at school. *sigh*

Fortunately, a Ted Talk on memory loss popped into my email box before I began the search for a comfortable home for worn out teachers. I will go with the one with the birdfeeders outside the window. Nice Care will have to wait, because Ted and his Talk has confirmed that I’m losing it because I’m stressed out and trying to survive. Who thought teaching would rob my brain of trying to remember stuff?

If you are beginning to lose it, check out this Ted Talk. I feel much better about losing my memory. Wait, did I already post this blog earlier?

image: morguefile/dodgerton skillhouse My memory card is crashing…

NPM: #13–how history does not sit still


I think I missed an opportunity. Had I known I would be teaching English, especially British literature, I would have minored in history. One cannot properly elucidate on the fineries of poems, prose, and short storis without dipping into the times of the work. There is a definite “why” as to “why” something is written. A mathematical equation of History times People to the greater value of Events–something like that. Which is why I didn’t get on so while in Mathematics.

Howard Altmann explains history’s restless nature. I almost imagine it as a cat that tiptoes around the room, exploring its way about. Or as that sunbeam or shaft of light that panders its way from the chair to the floor to the wall. Here’s the poem and here’s what he said about it:

About This Poem

“This short poem was conceived in Lisbon, where the light never rests on its laurels. It was put to bed a few years later in New York City, where the light crowds out the stars.”
—Howard Altmann (www.poets.org)

 

image: paulabflat/morguefile

Adieu, Adieu Sweet Month of Muse


national-poetry-month

I agree with Juliet, “Parting is such sweet sorrow.” April is a busy, busy month with its heralding of spring, removal of snow tires, paying of taxes, celebrating Billy Bard’s birthday, prepping for AP exams, and musing upon poems. I started loading my April blog calendar back in December as I discovered poems and poets I would pre-schedule them and now the days are spent and I am a bit bereft as I head into May. Whatever shall I fill my May days with?  It is ever so nice to have a theme for a month, like poetry for April. May will probably become my mish-mash month. I have several posties that I’ve been saving that don’t relate to anything except that I like them–sorta serendipity finds.

As I bid adieu to April I shall reflect:

  • Gathering poets for most of the year is akin to Saturday yard sale mornings as I scout for treasures to stuff in my bag
  • I appreciate poetry more and more as I become more and more involved with the reading of it
  • Having Billy Bard’s 450th birthday in the middle of National Poetry Month was absolute icing on the loveliest of cakes
  • Passing out poems to my students on April 24 for National Poem in Your Pocket Day is a blast–reactions range from excited anticipation of reading their poem to leaving them on the floor–which is about par for poetry (love it or leave it)
  • My school superintendent emailed me that I encouraged him to read a sonnet in my postscript to enjoy Shakespeare’s birthday
  • I decorated my hallway in recognition of Shakespeare’s birthday and convinced the journalism department to put it in the school’s daily video. Well, it’s not everyday a person is 450 years old…

 

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I look forward to May. School is winding down, weather is heating up, and the countdown to summer break begins.  Here is to May and all its blooming good days

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Waiting out the days of May to slip into June

The Fiction of Common Core


  • image: Pinterest.com

Common Core State Standards may or may not rock your world, but it has affected you in someway if you are any of the following:

  • Educator
  • Parent
  • Writer

As an educator it has already affected your world. I’m not going there at this time. I feel your pain, and rejoice in your triumphs as we plod our way through this new-to-us (for the most part) curriculum.

As a parent it will affect your kidz education. In a good way. For the most part. Trust me, the CCSS is not as bad as you’ve heard. The main aspect of Common Core is getting our students to understand their world better through the development of critical thinking skills. A very good thing.

As a writer, I’m not sure how it will affect you. That depends if you write fiction or non-fiction. Non-fiction is getting the big focus in the CCSS makeover. If you think about it, most of what we read is non-fiction, ranging from the back of the Cheerios box to the science textbook to the summons to appear in traffic court. Learning how to break down the text, to synthesize it, paraphrase it, and process the information is indeed an important skill, one needed to be successful in this crazy info-laden world of ours. And yet And yet, we need to feed our minds with the language of fiction as well.  That’s where you come in as a writer of fiction.

You might have heard the doomsayers extolling the death of fiction by the hands of those horrible, terrible, no-good eduniks who dreamt up the CCSS curriculum. Meh. Don’t let them worry you. Keep writing about neverlands, tomorrows, pasts, and todays.  Here’s why: there are specific standard built around students reading fiction, specifically stories, fables, folktales, and myths from diverse cultures (ELA Standard RL 3.2) Common Core comes down to caring about  how students develop their critical thinking skills, instead of focusing on the content. Teachers can switch up the reading offerings as long as the material meets the standards–at least that’s what we are doing in our district.

  • image: teacherscount.wordpress.com

In fact, to be fair, much of the past English reading/language curriculums dwelt heavily on fiction selections. As in most paradigm shifts, we are now swinging towards the other direction. Non-fiction is now going to be more in the spotlight as  a result. It will all balance out, but give a couple of years at least. After all, skirts have risen and fallen with the times, and so shall reading content in the classroom.

Eyre of Distinction


Soon we start our AP novel unit, Jane Eyre. Charlotte Bronte’s novel is one of my favorites, which means I will infuse as much of my appreciation for it as I do for my other favorite classics like Hamlet.  While many wax profoundly about Jane Austen, I think Miss Bronte gets overlooked. Jane Eyre has the distinction of being one of those novels that set things of literature memes, tropes, and motifs in motion by becoming a template for other stories. Consider:

  • she is plain in looks, but beautiful in spirit
  • her intelligence is valued by others, at a time when women were not widely educated
  • she values family over fortune
  • she easily speaks her mind
  • she is independent and finds a way to survive
  • outwardly she is calm, yet ripples with passion underneath her facade of restraint
  • she is perservering, sourceful, and a woman of strong morals
  • she stands up for herself–no doormat dame here

My opinion: Jane rocks. Over the years there have been several film adaptations of the novel.  I binged on JE films over the weekend and came up with my ratings:

1971: Starring George C. Scott and Susannah York
Verdict: skip.

George, too familiar with his Patton role, brought it to his interpretation of Rochester.  He railed and ranted in a very American accent and I gave up after he meets with Jane after their encounter on the road. Besides York’s Jane being too old and much too pretty I couldn’t sit through the poor film quality. The video transfer was so muddied I felt as if I were watching the movie through an unwashed glass.

image: eleganceof fashion. blogspot

1983: Timothy Dalton and Zelah Clarke
Verdict: one of the most faithful and watchable versions

Being a BBC production, I had initial trust it would be a quality adaptation, after all these are the folk who brought us Colin Firth as Mister Darcy. The sets, the important scenes, those inscrutable nuances of the original story are all contained in this mini-series. Timothy Dalton definitely understands the Byronic hero that Rochester embodies and has even said in interviews Rochester is one of his best roles. Clarke, while a bit older than the required 18 year old fresh from her Lowood imprisonment, captures the Quakerish passivity and ethereal nature of Jane Eyre.  The scenes between Dalton and Clarke are melt-in-the-mouth truffle satisfying.  Their version is what comes to mind most often when I return for a refresher novel read. I really did believe a heartstring developed between them. The agony of Dalton’s Rochester when he realized his Jane was leaving him forever kept the tissue box occupied.

1996: William Hurt and Charlotte Gainsbourg director: Franco Zefferilli
Verdict: passable, but strayed terribly from the novel

William Hurt seemed on the verge of understanding Rochester, but kept the bitterness too diminished, too washed out. Charlotte G as Jane got her part right. The plain, passionate young actress  imbued the paradoxical spirit of Jane Eyre. Sadly, there existed no believable passion, that needed kindred heart-string spark, between Gainsbourg’s Jane and Hurt’s Rochester. This spark is the very core of the novel. Without that essential core the movie floundered about like a fish hoping to get back into the water to have a proper swim. The director who brought us Romeo and JulietTaming of the Shrew, Hamlet, and other great stories of passion missed the mark with this adaptation by rushing the story and taking way too many liberties with the plot.

2006: Toby Stephens and Ruth Wilson
Verdict: enjoyable, even if a bit too contemporary in approach

image: writingbar.com

Admittedly, I had started watching this version years ago when it first came out, but found myself so disenchanted with the cutaway flashbacks, I couldn’t get past the Lowood scenes and it wasn’t until recently I returned to another viewing.  I did like the lead actors portrayals, and yes, there was a definite spark between them. I thought Toby Stephens got off easy with his fire wounds, unlike Hurt and Dalton. His rugged looks only appeared rather marred, instead of being ruined. The rolling around, ankle rubbing bit at the end seemed a bit too lenient for true Bronte style. Then again, there are leniences throughout this adaptation I willingly overlooked since the production quality proved so high.

2011: MiaWaikowska and Michael Fassbender Director: Cary Fukunaga
Verdict: Admirable

The first scene makes a diehard JE fan sit bolt upright and ask, “What? Wait–did the movie skip! because the opening scene is starting right off with Jane making her mad dash from Thornfield, which usually means the film is winding up to the grand finale.  Instead Fukunaga gets a bit artsy and dips in and out of Jane’s childhood days in flashbacks, with a quick glance at times at her more recent history.  Artfully done, but a bit disconcerting for those who prefer the linear progression.  Fassbender and Waikowska do provide a sumptuous Rochester and Jane.  Looks, mannerisms, nuances, smoldering passions–it’s all there.  That’s why it the ending is so absolutely frustrating.  I could not understand the need to transform Rochester into a Tom Hanks Castaway lookalike.  Maybe trading out the maimed hand for a beard was a contract compromise. Also, there should have been another 20 minutes of wrap up, yet we are whisked away much too soon.  It’s like being served the most savory dessert and having it taken away after a couple a bites–“Yo, I wasn’t finished.” Apparently Fukunaga thought the audience needed no more indulging and wanted us to move away from the table.

Overall: If a dedicated JE fan go to one of the series adaptations, such as the 1983 or the 2006.  It appears that only when given the proper amount of time (3-4 hours) can Jane’s story be told sufficiently. However, if thinking “book or movie first?” and movie wins out–get the 2011 version.

Further notation: I thought about finding the Ciarin Hinds version, especially after watching him in Austen’s Persuasion with Amanda Root.  Our library no longer has it and after reading the widely mixed reviews of loving it and hating it, I thought I will stick with my picks of 1983, 2011, and 2006 for classroom clips.

Any readers have their own picks of fave JE adaptations?

Life Long Loving of the Library of Congress


Main Library of Congress building at the start...

Main Library of Congress building at the start of the 20th century (Photo credit: Wikipedia)

And yet another reason I continue my praises of the Library of Congress. In recent Internet research sleuthing I stumbled across their Festival Author Booklist. Yippee! I love bookish gatherings, especially when I don’t have to do much traveling to enjoy it.  If you do want to travel, then get your arrangements made for Washington D.C. because that’s the happening spot. Last year the festival ran the weekend of September 21 and 22.  For more information: National Book Festival

Author and Reading Celebration

Since 2001,  authors, illustrators and poets make presentations on the National Mall in various pavilions. In 2013 over a 100 authors represented  Teens & Children, Fiction & Mystery, History & Biography, Contemporary Life, Poetry & Prose, Graphic Novels & Science Fiction and Special Programs.

Library of Congress Pavilion

If a person has longing to know all about the Library of Congress, then a visit to their LOC Pavilion is in order. There is so much moAt the Library of Congress Pavilion than books.

Wait!

There is more bookish good stuff from the LOC. Want handy access to classic reads? Then you need to click on the Read.gov link and start enjoying a range of reading from the John Carter series to Aesop Fables and what lies in between.

Contest!

Are you a teacher, a parent? If books are an important part of your education input, you will want to perk up and take time to read the guidelines about the LOC contest Letters About Literature.  Prizes too! I look forward to introducing this to my students.

Stay tuned for more love notes about the nation’s library.

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