Writing is what I do. I teach it. I read it. I aspire to it. I’ve tried all forms of writing: picture books, poetry, novels (middle readers, YA, adult), non-fiction (essays, informational, reviews), oh yeah–blogs. My latest foray into wordsmithing is plays. I gave up on screenplays since the format and competition didn’t work for me. Then I switched to stage plays. Oooh, I do very much like them. NaNoWriMo used to run Script Frenzy, a spring version of novel writing in a month that involved writing a play in 30 days. I tried it and definitely find a new niche.
Even though Script Frenzy retired, I got inspired. So far I have created a contemporary version of Julius Caesar and the school’s drama teacher showed interest in it, as did one of my students who called the role of Anthony. I’ll keep you posted of the world premiere. I also morphed Hamlet and Alice in Wonderland, mixing in a bit Wizard of Oz. It’s definitely a work in progress, as they say.
Since screenplays didn’t pan out for me, I am converting them into stageplays. I hope to dive into my languishing pile of manuscripts and toss them around in my Celtx program and see if they Presto! into plays.
Gosh! I love writing! There is such a variety and formats to try out and play with. It’s like dress up with words.
Any of you try out a new writing form with success?
Having recently plunked out my series list caused me to wonder about creating other lists. Yes, I am a confessed list maker. I have Post-It squares tacked all over the place of To-Dos, Epiphanies, Story Starts, Poem Parts, and Lesson Plan Pundits. The Cricket List will be an on-going project. Today’s offering is #4: Required reading in high school English. I encourage your suggestions:
The Cricket List:
1. Children’s authors and selected titles
2. YA authors and selected titles
3. Picture books
4. Required reading in high school English:
The Outsiders(teens haven’t changed too much in the thirty years this has been out)
The Miracle Worker (Helen Keller is a hero favorite and goes a long way in learning about overcoming adversity)
Pride and Prejudice (all man/woman hate-at-first sight movies stem from this gem)
Sherlock Holmes (the original, to understand why Robert Downey and Jude Law’s version is pure entertainment)
Frankenstein (a riveting read and shows the fallacy of Hollywood’s meddling)
The Ides of March have come and gone and so as the unit on Julius Caesar. Between Odysseus, Hamlet, and the Roman senate I feel I have been wading in testosterone for a month. Lots of wanderlust, stabbings, and confused emotions of doing the right thing. Next month it’s satire, heroes, and star-crossed lovers, which should provide a decent change up of scenery.
I learned my lesson about front loading Caesar a few years ago when I first started teaching the play to sophomores. I thought my students knew all about Julius Caesar. Wrong, so wrong. Roman history is not a featured item in most history books up to ninth grade, and it’s not much of a feature in high school at all–that is, unless students opt for World History as one of their electives, and even then not a lot of time is part on the Roman Empire. This is why there wasn’t much impact when the protagonist is bumped off by the second act. Why should my students care about the hero dying when they hardly know him?
Speed it up a few years, interject some marketing savvy, and Julius Caesar becomes a dynamic unit. My recipe for getting kids to care about Gaius Julius Caesar.
1. Show a Hollywood version of Caesar that is colorful, even though historical correct: baiting the hook
Jeremy Sisto plays a likable Caesar. I play the movie up to the point of where Caesar returns to Rome after Gaul, receiving the cheers of the Romans and the news that Pompey has fled, fearing for his life. This builds up intrigue and my students better understand what is going on when we began reading the play.
2. Fishing for interest: Assign parts, upping the reluctance with bonus reading points.
After writing the parts on the whiteboard I stand back and let my students sign up for who they want to read. Equal voice prevails in that it’s okay for guys to read female parts and vice versa. I’ve had some lovely deep-voiced Portias, and some commanding lighter-toned Cassius readers. Shakespeare would understand the need to pinch-hit.
3. We read up to the assassination. I used to include it as part of the agenda, yet my wanna be thespians somehow couldn’t do the death scene with proper dignity. I decided to give that over to the more experienced. There are a number of productions to choose from, although I keep with the tried and true John Gielgud version.
4. After each act we have class discussions about themes, issues, and notables. This is my favorite part, getting students to realize how history has shaped the world they live in. Events of a thousand years ago still echo down the corridors of their everyday life. We discuss ideas such as: Is murder ever valid? Do political leaders always act in the best interests of their country? Are beliefs worth dying for? These fifteen year old minds begin grasping the need to be informed and how being informed influences the vote they will cast in three years.
5. Once the play is packed up, the packet turned in, I reel in my students as we move on to the really fun stuff: Who was Caesar? I want my students to understand his far-reaching influence (beyond calendars, salads, and quippy quotes) and get to know the man and form their own opinion about him. I know Shakespeare had his reasons for not including Cleopatra in the play; however, Cleo cannot be ignored. So she gets showcased because she was a larger-than-life influence on Caesar:
I annoy my students with all kinds of move trivia: costs (1 million to Liz–a shocking amount; 44 million to make–equaling about 300 million today); tracheotomy scars (Liz almost died, you know); thousands of extras (pinch police to protect the ladies); real sets (CGI in ’63?). Grand stuff, indeed.
I also slip in a documentary with the idea that Hollywood and history don’t always see eye to eye on the truth.
The Sparknotes folk have done a really new cool thing by creating learning videos. This one was also helpful:
Then the assignment: Write an opinion essay on who you believe Caesar to be? Was he a megalomaniac who murdered for his own means? A philandering player who used women as stepping-stones to increased power? A frustrated tyrant? A genius strategist? A leader cut short in his prime? I guess the term is officially called synthesizing–gathering all the evidence and sifting it to form a valid opinion. Kind of like suffering through election year.
The play itself is not one of my favorites: “Hey, I’ll stab you, you stab me, will all die so nobly.” A little too gritty for my tastes. I do find a fascination in Caesar and I look forward to reading those essays.
In our district it’s mandated we have our objectives up on the board so that all may see what it is we are trying to get our students to learn. Mine for the Julius Caesar unit?
May my students learn from the experiences of the past in order to better apply the knowledge that is gained
Jeremy Sisto plays a likable Caesar. I play the movie up to the point of where Caesar returns to Rome after Gaul, receiving the cheers of the Romans and the news that Pompey has fled, fearing for his life. This builds up intrigue and my students better understand what is going on when we began reading the play.
