cricketmuse

a writer's journey as a reader

Archive for the category “creativity”

Umbrellas and Choice


One of the benefits of taking on April’s National Poetry Month was discovering cool stuff like Poem-a-Day.  Everyday, free of charge, straight to my mailbox, I get to savor a new verse flavor.  I like it.  This one especially feathered my appreciative factor:

L’Avenir est Quelque Chose
by Dobby Gibson

All day for too long
everything I’ve thought to say
has been about umbrellas,
how I can’t remember how
I came to possess whatever weird one
I find in my hand, like now,
how they hang there on brass hooks
in the closet like failed actors,
each one tiny or too huge,
like ideas, always needing
to be shaken off and folded up
before we can properly forget them on the train.
Most of my predictions are honestly
just hopes: a sudden sundress in March,
regime change in the North, the one where Amanda
wins the big book award from the baby boomers.
There’s that green and white umbrella
the cereal company interns handed us
outside the doomed ball game,
the one just for sun,
the one with the wooden handle
as crooked as the future
that terrifies me whenever one of us uses it
as a stand-in for a dance partner.
You once opened it in the living room
so Scarlett could have a picnic
beneath something that felt to her like a tent
as it felt to me like my prediction
When I want to try to understand now
I tend to look up and how
truth be untold, I might see nothing
more than a few thousand pinholes in black nylon,
it’s enough to get you to Greece and back,
or something to kiss beneath,
who knows how this is going to play out?
I know you won’t ever be able to say
exactly what you’re feeling either,
the way worry might pop open overhead
like fireworks oozing pure midnight –
will we ever see the sun? –
the way we’re sure to pull closer
to whatever’s between us, the rain playing
the drum that’s suddenly us.e would live forever was already true.

About This Poem: from the author
“‘Rather than approaching a new poem as if it might be your last, try approaching it as if it’s simply your next.’ I had scribbled this advice to myself in my notebook just before I wrote this poem. It was a cold and rainy day in Minneapolis. The future seemed impossible. I grabbed the first thing I could find nearest the door.”

Roughly translated I believe the title means: “The future is a thing that overcomes. It is undergoing not the future, it is fact.”  Does anyone have a truer translation (I *cough* never took French in school, and um, sailed in the low passing in German).

Why Pick This Poem:
Umbrellas are a fave of mine.   That instant bubble zone of being in the weather, yet being protected at the same is both cozy and reassuring. It’s a lot like getting an idea and being immersed in it while coping with paying bills, driving in traffic, grading papers–I’m involved in the everyday, but walking in the bubble of an idea. Just like I carry an umbrella in my car, have one in my classroom, and there’s one hanging in the home hallway. One never knows when walking in a bubble is needed.

The Measure of Significance


Birthdays, diplomas, penciled increments on the door jamb, even odometer rollovers. These are all measures of significance. Certain birthdays hold more meaning than others. You probably remember your 21st birthday more than your 20th. Graduating from high school no doubt was more memorable than sixth. Finally marking off that coveted inch or two on the door frame meant the fulfillment of growth status. And who doesn’t thrill to see the odometer ceremoniously roll over to 100,000 miles?

Significance gets celebrated with cards, cupcakes, and hearty congratulations.  Milestones are meaningful; they create memories, kinship, and bonding.  I’m not much of a sentimentalist, and even my family jokes about my prickly practicableness, yet they don’t even know that some milestones in my life have more carryover than others.

For instance:

  • locks of hair from first haircuts
  • florist cards
  • child art
  • check stubs
  • fifth grade teacher praise

And now I have a new one:

TA-DAH!!

This is my 200th blog post

(Well, I’m kinda excited about that…)

 

The Lowdown on the Upside of NPM


Whew!

Whew! (Photo credit: Wikipedia)

 

Where did April go? Wasn’t it Sprink Break just a blink ago?  And now I’m making plans for Memorial Day Weekend and soon after school’s out.  Time doesn’t fly these days–it hyperlinks!

 

Among other celebratory events residing in April, Library Week being one such, I choose to go the whole tamale and celebrated National Poetry Month every single day. Planning a daily post involved some careful coordination and creativity.  Have I mentioned how much I appreciate the scheduling feature of WordPress? Couldn’t have done the super stretch of 30 posts without it.

 

I’m in a reflecting kind of mood here, so please bare (bear?) with me for a nanosecond or two. As I get ready to go back to my regularly scheduled program mode I’m not sure I shall.  I learned some things whilst committing to a month of poetry.  Here is my lowdown on the upside of celebrating National Poetry Month:

 

  • a lot of people like poetry–which gives me hope my students will one day grow out of the lip curl mode when immersed in that required unit
  • I gained about 20 new followers–that’s darn right pleasing
  • WordPress makes it easy to batch post–that schedule feature (again)
  • there are a lot of people who want to tell me all about their marketing ideas–thanks, but no thanks, I really do like my day job
  • I had fun selecting various themes and posts–it wasn’t as difficult as I thought to come up with a variety of post material
  • And I got an award!

 

liebster-award_zps3c945071

 

Thanks JenniferK! New blogging follow and a fellow writer.  I think this is the spiffiest award yet–I like the razzle dazzle bling.

 

I will have to come back and name the three or so new blogs to pass on the award.  I really haven’t had time to sift through all the new blogs I’ve come across this month, but hope to set aside this weekend to do so.

 

Last bit of reflection (you’ve been so wonderfully forbearing–here, have a cookie…)

 

 

I’ve decided with May’s arrival, which coincides with Spring–renewal, and all that new growth stuff, I shall try a new direction with the posties.  Something old, something new, and something cool.  The ideas are percolating.

 

Until next post,

 

Blue Skies
CM

 

 

 

 

500 Poems on the Wall…


Nope. A month is simply not enough. Thirty days hath April, but it would take a lifetime to truly discover the all and all of poetry.

There are at least a bazillion sites dedicated to poetry. I tend to gravitate towards http://www.poets.org, since they celebrate poetry in a BiG way. There is also http://www.poemhunter.com, which has this massive list of 500 poems.  Click and feast.

500 Poems

POETRY SOCIETY POSTCARD

POETRY SOCIETY POSTCARD (Photo credit: summonedbyfells)

Happy Poetry Month!!

Video Poems


While there are many ways to share poetry, be it by book, blog, spoken, or some such communique, I have found video posts to be like Dark Chocolate Dove Bites–savory and long-lasting.

Here is the poem:

This is Just to Say

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

William Carlos Williams

And here is the video:

http://www.youtube.com/watch?v=0d5bLf0gq2Q

The poem came alive for me in a different way once viewing the performance.  I remember studying William Carlos Williams in college.  I thought his poems rather mundane–I mean, he talked about wheelbarrows, chickens, plums–all ordinary stuff.  And then I realized there is a cadence, a melody, in all those everyday aspects of life.

For more video poems go to:

www.poets.org

and

www.favoritepoem.org/videos.html

 

Happy Poetry Month!!

English: Photograph (believed to be passport p...

William Carlos Williams: writer of wheelbarrows, plums, and chickens


Poetry Workshop: #3 Inside, Underneath and Beyond


INSIDE, UNDERNEATH AND BEYOND

This is a poem of exploring matters contained within or underneath or beyond something everyday or even unexplained.  Choose something to explore and decide which direction of discovery to investigate: will it be to dive inside to see what makes it tick or will it be a burrowing sense of exploration where layers are removed and examined, or does the exploration go beyond known boundaries?

 Inside All Poems

Inside all poems

Is a question

And inside this question

Is a quest.

The poet rides out

on a journey to find

the meaning

or an answer

or maybe to hear

an echo of reply

from one who seeks

an answer to the

same question quest.

CM-2012

This form of poetry isn’t quite as popular as the other workshop poems. Upon reflection it might be due to having to look at something from several different viewpoints at the same time to really see it, which can be difficult.  It’s like those crazy illustrations of one viewpoint yielding two faces, one on each side of the goblet–but look again, and it is an old woman.  It means slowing down life for a few nanoseconds and really thinking about: am I looking or seeing?

Creative Challenge:
Take a look at something you see everyday and try on your perspective specs and really look at it–is there something more to it than you thought, or think?  For a real challenge, try this on a person you know.  Uh mmm, now that’s taking it to a new level of seeing instead of looking.

Poetry Workshop: #2 Definition Poems


DEFINITION POETRY

Take any word or concept or topic and define through a mix or poetical flow and concrete definition to better understand what it is all about, especially on a personal level.

 So It Is With Language

Grammar is the spine

Of prose and all we know

That is called language,

Which is can be spoken

Or written down.

And all those nouns

And verbs

And prepositions

And modifiers that often dangle

And nominative clauses that

Sometimes tangle

Up

Our understanding

Are the vertebrae

And without our vertebrae

There would be not spine

To stand us up

So it is with language

CM-2012

 Childhood

Childhood is that momentary suspense

of disbelief and discovery

That happens all too quickly

Yet,

that eye blink lasts a goodly twelve years by the book

Or quicker

depending on the generation

And for a lucky few

childhood remains

only hidden in discretion

likely to pop out

as the sun peeps behind

the seriousness of gray skies

to offset the dour day

CM-2012

What I appreciate most about definition poetry is how it allows flexibility of perspective.  It captures connotation and denotation without being all textbookish.  And isn’t it oh so clever to sneak in a vocabulary lesson whilst having fun creating wordplay?

Forming Poetry: Parodies


Helvetica cattle

Helvetica cattle (Photo credit: Wikipedia)

 

Parody Poems

 

“Imitation is the best form of compliment” or so they say.  A Parody Poem emulates or copies a known style of poet.  Special attention is paid to tone, diction, rhythm, meter—basically getting the poet’s style so that it is recognizable.

 

Here are some parody poems using the famous “Purple Cow” poem:

 

 A Purple Cow

 

By Mr. Gelett Burgess
I never saw a Purple Cow,
I never hope to see one;
But I can tell you, anyhow,
I’d rather see than be one.

 

 

 

And here are the parodies:

 

Edgar Allen Poe

 

Parody by Susan and David Hollander
One lonely, gloomy, windswept eve
A mournful sound did I perceive.
I cast my eyes beyond the pane
And to my horror down the lane
Came a sight; I froze inside
A spectral cow with purple hide.

Emily Dickinson
Parody by Susan and David Hollander
On far off hills
And distant rills,
Sounds a distant moo.
A purple spot
I think I caught,
Yes! I see it, too!

In Bovine majesty she stands,
Her purple tail she swings,
The amethyst cow,
To my heart somehow,
Perfect joy she brings.

And yet the thought of being
Of that race of royal hue,
Though glowing like the violet sweet,
It really would not do.

William Wordsworth
Parody by Carolyn Wells
She dwelt among the untrodden ways
Beside the springs of Dee;
A Cow whom there were few to praise
And very few to see.

A violet by a mossy stone
Greeting the smiling East
Is not so purple, I must own,
As that erratic beast.

She lived unknown, that Cow, and so
I never chanced to see;
But if I had to be one, oh,
The difference to me!

Rudyard Kipling

Parody by Carolyn Wells*
In the old ten-acre pasture,
Lookin’ eastward toward a tree,
There’s a Purple Cow a-settin’
And I know she thinks of me.
For the wind is in the gum-tree,
And the hay is in the mow,
And the cow-bells are a-calling
“Come and see a Purple Cow!”

But I am not going now,
Not at present, anyhow,
For I am not fond of purple, and
I can’t abide a cow;
No, I shall not go today,
Where the Purple Cattle play.
But I think I’d rather see one
Than to be one, anyhow.

Challenge alert:

Do any of you feel the pull of purple cow within your poetry muse?

 

Shaping Up Poetry: Metaphor Thirds


 

joyous heart

joyous heart (Photo credit: Leonard John Matthews)

 

 

I’ve made this a part of our sophomore poetry curriculum and I am always taken by surprise at the superlative poems students produce with this format.  I found this form in  the book Risking Intensity by Judith Rowe Michaels.

Metaphor Thirds

1. Fold a piece of paper into vertical thirds

2. In the first third write five emotions, then fold back the paper

3. In the second column write five colors—these can be basic ones like red, blue, yellow or a bit more imaginative like periwinkle, chartreuse, silver-gray—then fold over this section

4. In the last column write objects or animals

5. Open out all the sections and read directly across

anger                    red                            door

sad                        periwinkle              mirror

 joyful                  chartreuse              star

loneliness         indigo                       blanket

nervous             brown                      rabbit

6. Read each line across to make five metaphorical statements. For example: Anger is a red door, sad is like a periwinkle mirror, joyful as a chartreuse star, loneliness is like an indigo blanket, nervous like a brown rabbit

7. Choose a metaphor statement and begin to think about the feeling, the color, and the object. What associations come to mind? Brainstorm some of what comes to mind with the image.

8. Begin to work the metaphor statement into a poem, either placing the statement as it is written or work the image into a conceptual piece. The metaphor thirds poem actually works best in a free verse form, although internal rhyme works well.

Chartreuse Leaf

Chartreuse Leaf (Photo credit: teresia)

multicolored splendor
that’s just how my day
has been
confetti bits of happiness
round about me
dancing
bright lights
of promise
like spring after
a tedious winter
A happy day filled
with greens, and light

Joyous like a chartreuse star

-(first draft of the poem found on the Triptych of Daffodils post)

Shaping Up Poetry: Object Poem


Object Poem

1.  Select an object
2.  Explore it using the following questions:
What does it look like?
How or why does it look like that?
What colors do you see?
What do the colors remind you of?
What does it smell like?
What does it feel like?

3.  Here is a guide to help structure your Poem:
First it is….
And then it is like…
And then it is like…
And now it becomes…
and now it is…
And now it is…
And now I am …

Here is an excerpt from Gift from the Sea by Anne Morrow Lindbergh.  Listen for the comparisons and descriptions based on the poem guide.

This snail shell, round, full and glossy as a horse chestnut.  Comfortable and compact, it sits curled up like a cat in the hollow of my hand.  Milky and opaque, it has the pinkish bloom of the sky on a summer evening, ripening to rain.  On its smooth symmetrical face is penciled with precision a perfect spiral, winding inward to the pinpoint center of the shell, the tiny dark core of the apex, the pupil of the eye.  It scares me, this mysterious single eye–and I stare back.

Find an object and explore it through imagery, seeing it for what it is through expanding vision.

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